Part of Film Diary 4: every hundred feet the world changes

nor any memories of
the turning backs
Ahmet Mete Balyan, Zeynep Su Topal, Turkey, 18 Min

As young artists navigating between Turkey and other imagined geographies, we find ourselves not docu-
menting but embodying a question: How do we love, live, and create while griefing on our massacred culture.

Eurydice in the Underworld
Felicity E. Palma, USA, 14 Min
A restaging of Kathy Acker’s Orphic myth; a descent into the hellscape of the medical system

Milwaukee Night and Day
Dick Blau, USA, 18 Min
A City Symphony. The distillation of ten years of looking at one square block in the heart Milwaukee, Wisconsin.

Between the Sky and the Earth
Bruna Braga, Brazil, 8 Min
Inspired by a tumultuous period in the director’s relationship with her mother, the film draws an analogy between the phases of their conflict and the states of water along the coast of São Paulo. lives within it.

Bozos on the Bus
Max Van Loan, USA, 3 Min
A realization of the idiom common in 12-step recovery programs that conveys an egalitarian regard for the coexisting brilliance and absurdity of each fellow.

Rahhala: Hayya alaHayya
Lujain Jo, Lebanon / Qatar, 18 Min
Composed of overlaid images filmed over the span of six years, Rahhala: Hayya ala Hayya explores the traumatic fragments of a life.